on equipment

I have always felt that the camera I use is just a tool for my creative vision. I have never felt that more clearly than today. There are so many options for making an image.


 I traveled to Mexico earlier this summer and some of my very favorite images were taken of birds flying overhead while I was out at sea with my iphone using the retro camera application!




A new compact camera just came out which I decided to try, given all the pre-release hype. It is the Cyber-shot DSC-RX100 that includes a large sensor and bright Carl Zeiss lens. This is from the dpreview review...


"Cyber-shot DSC-RX100,  is an enthusiast compact camera based around a 20MP 1" CMOS sensor. It features a 28-100mm equivalent lens with F1.8-4.9 aperture range and image stabilization and is the first Sony compact to capture Raw files. It can shoot 1080p60 and capture 17MP (16:9 crop) stills simultaneously. It features a lens control dial and a 3:2 aspect ratio sensor (the same proportions as most DSLRs). It's also the first Sony compact to feature the company's 'WhiteMagic' LCD technology, promising a brighter or lower-power display."






My new point and shoot arrived a few days ago. I charged up the battery immediately and took it out that evening. I was amazed at its ability to "see." It also gave me the option of shooting square.  Another tool in the toolbox!

31 Women in Art Photography / Humble Arts Foundation



31 Women In Art Photography 2012 


 presented by
Humble Arts Foundation and Hasted Kraeutler 

Burn No. 26



Opening Reception: Thursday, July 26, 2012, 6PM - 8 PM


Hasted Kraeutler
537 West 24th Street
New York, NY 10011

Gallery hours: Mon - Fri, 10AM - 5PM
July 12, 2012 -  August 17, 2012
in association with Hasted Kraeutler, is pleased to announce its third, biennial edition of 31 Women in Art Photography opening at Hasted Kraeutler, located at 537 West 24th Street, on Thursday, July 26, 2012 from 6PM - 8PM. 31, curated by Natalia Sacasa and Jon Feinstein, celebrates thirty-one of the most innovative women in new art photography. The exhibition continues through August 17, 2012.
The exhibition presents an eclectic mix of new talent culled from open submissions, and similar to Humble Art Foundation's past projects, the work included defies fixed genres in contemporary art photography and features an international pool of images that range from documentary to still life, and in some cases incorporates multiple approaches.

Exhibiting Artists: Alma Leiva, Aneta Bartos, Camino Laguillo, Caroline Burghardt, Catrin Andersson, Erin O'Keefe, Gabriela Herman, Giulia Ranchetti, Haley Bueschlen, Jan Meissner, Jane Fulton Alt, Jennifer Greenburg, Karine Laval, Katarzyna Majak, Katherine di Turi, Laura Bell, Lauren Marsolier, Lois Conner, Lourdes Jeannette, Lydia Anne McCarthy, Mara Bodis-Wolner, Marget Long, Melissa Steckbauer, Miriam Romais, Monika Sziladi, Rachel Stern, Robyn Cumming, Susan Barnett, Susan Morelock, Tricia Lawless Murray, Wendy Given

"Reviewing the submissions for the 31 Women in Art Photography exhibition was an enlightening experience," says curator Natalia Sacasa. "I have come away with a deeper understanding of the influences and motivations that drive the current generation of practicing female art photographers. This group of women that we have selected are truly furthering the limits of the medium and are simultaneously involved in the discourse of conceptual art."

Curator Jon Feinstein adds, "I am thrilled to have the opportunity to exhibit this innovative new work. The artists in this exhibition are taking a refreshing approach to photography and continue to push it forward in new and exciting ways."

Founded in 2005 by amani olu and Jon Feinstein, Humble Arts Foundation is committed to promoting the work of new photo-based artists. The New York-based nonprofit serves the international art community by way of exhibition and publishing opportunities, limited-edition print sales, twice-annual artists grants, and various special projects.

Remarks from President Obama

July 20, 2012


Following is the transcript of President Obama’s remarks on the shootings in Aurora, Colo., as released by the White House:
PRESIDENT OBAMA:  Well, let me, first of all, say how grateful I am for all of you being here, and how much we appreciate everything that you’ve done.  I know that there are a lot of people here who have been so engaged in the campaign, have sacrificed so much, people who’ve been involved back since 2007. (Applause.)  And so I want all of you to know how appreciative I am.
And I know many of you came here today for a campaign event. I was looking forward to having a fun conversation with you about some really important matters that we face as a country and the differences between myself and my opponent in this election.  But this morning, we woke up to news of a tragedy that reminds us of all the ways that we are united as one American family.
By now, many of you know, many of you have heard that a few miles outside of Denver in a town call Aurora, at least 12 people were killed when a gunman opened fire in a movie theater, and dozens more are being treated for injuries at a local hospital.  Some of the victims are being treated at a children’s hospital.
We’re still gathering all the facts about what happened in Aurora, but what we do know is that the police have one suspect in custody.  And the federal government stands ready to do whatever is necessary to bring whoever is responsible for this heinous crime to justice.  (Applause.)  And we will take every step possible to ensure the safety of all of our people.
We’re going to stand by our neighbors in Colorado during this extraordinarily difficult time.  And I had a chance to speak with the Mayor of Aurora as well as the Governor of Colorado to express, not just on behalf of Michelle and myself, but the entire American family, how heartbroken we are.
Now, even as we learn how this happened and who’s responsible, we may never understand what leads anybody to terrorize their fellow human beings like this.  Such violence, such evil is senseless.  It’s beyond reason.  But while we will never know fully what causes somebody to take the life of another, we do know what makes life worth living.  The people we lost in Aurora loved and they were loved.  They were mothers and fathers; they were husbands and wives; sisters and brothers; sons and daughters, friends and neighbors.  They had hopes for the future and they had dreams that were not yet fulfilled.
And if there’s anything to take away from this tragedy it’s the reminder that life is very fragile.  Our time here is limited and it is precious.  And what matters at the end of the day is not the small things, it’s not the trivial things, which so often consume us and our daily lives.  Ultimately, it’s how we choose to treat one another and how we love one another.  (Applause.)
It’s what we do on a daily basis to give our lives meaning and to give our lives purpose.  That’s what matters.  At the end of the day, what we’ll remember will be those we loved and what we did for others.  That’s why we’re here.
I’m sure that many of you who are parents here had the same reaction that I did when I heard this news.  My daughters go to the movies.  What if Malia and Sasha had been at the theater, as so many of our kids do every day?  Michelle and I will be fortunate enough to hug our girls a little tighter tonight, and I’m sure you will do the same with your children.  But for those parents who may not be so lucky, we have to embrace them and let them know we will be there for them as a nation.
So, again, I am so grateful that all of you are here.  I am so moved by your support.  But there are going to be other days for politics.  This, I think, is a day for prayer and reflection.
So what I’d ask everybody to do, I’d like us to pause in a moment of silence for the victims of this terrible tragedy, for the people who knew them and loved them, for those who are still struggling to recover, and for all the victims of less publicized acts of violence that plague our communities every single day.  So if everybody can just take a moment.
(Moment of silence.)
Thank you, everybody.  I hope all of you will keep the people of Aurora in your hearts and minds today.  May the Lord bring them comfort and healing in hard days to come.
I am grateful to all of you, and I hope that as a consequence of today’s events, as you leave here, you spend a little time thinking about the incredible blessings that God has given us.
Thank you very much, everybody.  God bless you.  God bless the United States of America.


Beasts of the Southern Wild ~ The Movie


Beasts of the Southern Wild was a tour de force. Many people spend a lifetime trying to give expression the "all of it." I came out of the theater last night speechless and profoundly touched. New Orleans, Louisiana, life, death, and art all rolled into one. BRILLIANT! Clearly the muses were at work during it's creation. It is a most eloquent expression of what it means to be alive. See it...and see it NOW!





Baja California ~ A Revelation




I just returned from the annual Frontera Grill Staff trip to Baja California. This was a first for me and I had no idea what to expect. Rick Bayless, the amazing, awesome and inspirational chef extraordinaire, has spent a lot of time exploring the area for his PBS show, One Plate At A Time. It was a fantastic trip. Here are a FEW of the highlights. I only wish I could recreate a tasting of the wines and foods for you!
Rick was presented a gift from the Baja wine growers

Adobe Guadalupe Vineyard

This area has many vineyards and each has its own character. We had many wine tastings and learned how the soil and the preparation of the wine influences the final product. There is so much to learn and so little time!
                                             














                         


Chef Miguel Angel Guerrero's grilling pit...this meal was the best lamb I have ever tasted in my entire life!

The bottomless tequila container soaking with 50 year old snake 


                         






Mercado El Popo


Local fishermen catching oysters, mussels and clams in sustainable aquaculture







 Eriza / Sea Urchin and Barnacles
Culinary Art School in Tijuana

Casa Piedra where all the buildings are made of recycled materials


Summer Limited Edition Prints From Photo Center NW

Dear Friends,

The Photo Center NW is offering a limited edition of Burn No. 56 to benefit the Photo Center NW.
This is the ONLY place that this print will be available for purchase.

Burn No. 56
Thinking about starting a photographic collection? This is a great way to start!
It is a wonderful, vibrant community arts center. 
Click HERE to learn more about it!


 I am heading to Baja California for the annual Frontera Grill Staff trip. Will be eating lots of fish tacos and photographing....seafood?


Have a great 4th of July!

Commencement Advice

There was a wonderful article in the New York Times this weekend with excerpts from various graduation speeches that were delivered this season, titled Familiar Faces Offer Advice, Idealism and Humor.
Northwestern University Hat Toss

MR. GAIMAN “Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do: make good art. I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. I.R.S. on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil, or it’s all been done before? Make good art.”


soooooooo, go ahead and make some good art this summer!

Spirit of Generosity

The concept of "spirit of generosity" was coined at a Ragdale Foundation strategic planning meeting. It is a state of being that many of us strive for and attempt to cultivate in our everyday lives.

 I thought about this idea again this morning when I read Aline Smithson's wonderful blog, Lens Scratch. She has, single handedly shifted the culture of the photographic community, no small feat. Her actions and generosity of spirit have fueled many friendships, connections and interest in each others work. Her post titled Thoughts on Success is well worth checking out and, if you haven't subscribed to her blog you should. She posts daily about the photographic world and the work is varied and interesting.

There is a book titled The Gift by Lewis Hyde that is a must read if you are interested in this subject of generosity and art. A New York Times article titled What is Art For, by Daniel Smith speaks about how Hyde's works have been transformative for many. "The Gift...tries to reconcile the value of doing creative work with the exigencies of a market economy" In the article the author, states...

"For centuries people have been speaking of talent and inspiration as gifts; Hyde’s basic argument was that this language must extend to the products of talent and inspiration too. Unlike a commodity, whose value begins to decline the moment it changes hands, an artwork gains in value from the act of being circulated—published, shown, written about, passed from generation to generation — from being, at its core, an offering."

Checking in ~ Checking out

You may have been wondering where I have been during this long hiatus from posting on my blog. Well, it has been a busy time with little space to reflect on anything creative. 2 Graduations, 4 Weddings, friends and family visiting from out of town and 5 upcoming exhibits. I really love to share work and things that inspire but only when I have the time to reflect. That is why I have been silent as of late.
sunset with the iphone

a few recommendations -

TimeLines Theater  premiere of "My Kind of Town"  (acting and story telling was amazing)
and the movie Bernie was quirky and wonderful...

Will post as the time and space allows!

Ragdale Day

I know I have talked a lot about the Ragdale Foundation on this blog. This is, in part, because the residencies that I have had the privilege of attending have truly transformed my work. As I mentioned before, it is an "in between" place where transformation and alchemy abound. The campus, located in Lake Forest, Illinois, will be open this Sunday to everyone. This is a unique opportunity to see a place that is often sequestered from the public view.  You can see where novels such as The Time Travellers Wife and Loving Frank were written.


A few of the activities for Sunday include a performance by Khecari Theater, Rhino Reads (including the one and only Ralph Hamilton),  poetry reading by Cajun Poet Beverly Matherine with music, conversations with best selling authors, art demonstrations in studios along with refreshments provided by chef Linda.

    This video was just released which shows the before and after of the newly renovated Ragdale House. Please watch it...you will understand why I am so passionate about the place.



This Sunday, June 3rd from 12 - 4pm the Ragdale. Hope to see you there!

Checking In and a Few Random Thoughts

I temporarily dropped into the life of a 32 year old, being the primary caretaker of a 2 and 5 year old. That is why you haven't heard from me as of late. I have a deep appreciation for artists that are able to keep the creative muses alive as they are raising their families...not an easy task.

My granddaughter turned 5 this past week and has been very interested in cameras. I decided that this was the opportune time to introduce her to photography. There was a lot of excitement on my part when I thought of the gift of a first camera.

After doing some research, I decided, along with her mother, that the Fisher Price "Tough Kid" Digital camera would be the best choice. I was fortunate enough to be with my granddaughter for her birthday, so was able to get a first hand look at the gift. After an hour of watching her with the camera, I was horrified. This was NOT the camera experience I had expected. There were many bells and whistles on this particular camera. As I watched her handle it I realized that I had essentially given her an electronic toy that fostered and demanded her attention similar to a video game.

Happily, the batteries went dead after a few hours. I slipped the camera into my bag and suggested to my granddaughter that this was not the right camera for her and that I would replace it with the real thing. I have decided to purchase an inexpensive "real" digital camera for her...but even that, I realize, has its limitations.

This experience made me realize how different photography is now, with the advent of the digital camera. I long for her to have the excitement of the wet darkroom experience when the print begins to appear in the developing tray, when one struggled to compose a photograph and worked for hours to create a print that would "sing." It still takes time and effort to create something extraordinary with a camera, be it digital or film, but the easy access/quick grabbing of visuals has really changed the entire playing field of photography.

On another note, I have spent the last 2 weeks traveling to see loved ones, from the west coast to the east coast and back home again, with several graduations and birthdays in between. It has been a marvelous two weeks, and the best birthday gift I could have ever given to myself.


what follows are a few emails I received in response to this post...

Hello Jane -

I had to smile when reading your latest post about your granddaughter and her new camera.  Someone once gave my son a camera with a monkey on it.  While he had no interest in the camera, he fully expected the monkey to do tricks.  When my kids were five and seven, they became curious about what I do in the darkroom (I realized early on as a parent that I would have to integrate my children into my creative life – it was either that or close down the darkroom for several years).  The three of us made two pinhole cameras together – one for 4x5 paper and one for 11x14.  It was a week-long project – planning, measuring, waiting for superglue to dry - which ended with a little photo series which they got to develop and print.  It was magical to watch their faces as the images developed.  They were so excited.  Even now, five years later, the images are still some of my personal favorites and I am always touched when I hear my kids explain to their friends what “real” photography is all about.  We are preparing for a big move to New York next month but once we get situated, I plan to use the cameras again with the kids to inaugurate my new darkroom.  


Best – Ellen O’Connell

Ellen O'Connell ~ Jules and Esther

Ellen O'Connell ~ Jules and Esther


Jane,

One of the fondest memories of raising my daughter was making a camera out of a piece of brass shim stock, black paint and an oatmeal box. Not sure she was as excited as I was when we developed the sheet of film. But there was even a lesson in that. I still have that thing somewhere.

Best,

Nina Katchadourian

I have been traveling a lot this month so thought it appropriate to introduce the work of Nina Katchadourian. Her creativity is inspirational and hysterical. I love thinking of her making these images in the tiny bathroom lavatories as she is flying thru space.



Seat Assignment: Lavatory Self-Portraits in the Flemish Style

In her words...

Improvising with materials close at hand, Seat Assignment consists of photographs, video, and digital images all made while in flight using only a camera phone. The project began spontaneously on a flight in March 2010 and is ongoing. At present, over 2500 photographs and video, made on more than 70 different flights to date, constitute the raw material of the project.




 While in the lavatory on a domestic flight in March 2010, I spontaneously put a tissue paper toilet cover seat cover over my head and took a picture in the mirror using my cellphone. The image evoked 15th-century Flemish portraiture. I decided to add more images made in this mode and planned to take advantage of a long-haul flight from San Francisco to Auckland, guessing that there were likely to be long periods of time when no one was using the lavatory on the 14-hour flight. I made several forays to the bathroom from my aisle seat, and by the time we landed I had a large group of new photographs entitled Lavatory Self-Portraits in the Flemish Style. I was wearing a thin black scarf that I sometimes hung up on the wall behind me to create the deep black ground that is typical of these portraits. There is no special illumination in use other than the lavatory's own lights and all the images are shot hand-held with the camera phone. At the Dunedin Public Art gallery, the photos were framed in faux-historical frames and hung on a deep red wall reminiscent of the painting galleries in museums like the Metropolitan Museum of Art.
















Improvising with materials close at hand, "Seat Assignment" consists of photographs, video, and digital images all made while in flight using only a camera phone. The project began spontaneously on a flight in March 2010 and is ongoing. At present, over 2500 photographs and video, made on more than 70 different flights to date, constitute the raw material of the project. 

Nina's website has many interesting projects to explore. The site of a creative mind.

I will be traveling for the next week and a half...thinking more about what is possible when in transit.
Stay tuned!

On Books, Ragdale and Mary Ellen Bartley


I attended the opening of The Ragdale House this past weekend.
 It is a magical place where many artists have found the time and space to create works of art that have enriched our lives. The house,  designed as the summer home of Arts and Crafts architect Howard Van Doren Shaw, just underwent a $3 million renovation. I had the privilege of  touring the rooms where many authors have written award winning books. 
One of several Ragdale rooms where authors reside for the residency




It made me think about the importance of books in our lives.  Carl Sagan was able to articulate the nature of books by looking deeply into their essence.


“A book is made from a tree. It is an assemblage of flat, flexible parts (still called "leaves") imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time, proof that humans can work magic.” 
― Carl Sagan

 Mary Ellen Bartley has studied books from a unique visual perspective.  Standing Open and Blue Books are two beautiful portfolios.  

All The More Real

A Road Divided
Sleeping by the Mississippi


Mary Ellen's artist statement for Standing Open:
"STANDING OPEN This is my fourth series of photographs looking at books. While shooting my stacks and rows of tightly closed paperback books I began seeing some of the standing books loosen up, allowing a view of the space between their pages. I was drawn into the unique interior space of the books. I began opening all kinds of books and placing them standing open around my space where sunlight might fall on them. Using the chance settling of the pages and a close up view, this quickly became a project of looking into my photography books in a new way, with my gaze falling into and out of the books and into and out of abstraction. This work interests me on many levels. First is the sheer beauty of the physical books and the unique formal discoveries of looking at them close up. Among the repeating formal motifs I’ve found are the stripes the pages create, the shadowy voids between pages that read like burns or stains, and the reflections the photos can make on the pages facing them. On another level I’m fascinated by conceptual ideas concerning appropriation and reproduction in a mechanical versus digital age that the work can’t help but throw into question. What is the unique aura or presence of a book? Finally what drives the work for me is the emotional connection I have to the books. I’m trying to evoke the sensuality and intimacy of reading and looking through books as well as the fleeting inspiration, little jolts of connection, found for readers in books they love."

 Blue Books
All Night Near the Water, 2010
Beyond Summer, 2010

Easy Hymns, 2010

Fear of Rain, 2010


 Mary Ellen was also included in the Critical Mass Photolucida's final 50 this year.




























Image Maker Fran Forman


Fran Forman was a 3 time contributor to the creative collaboration, which is how I became familiar with her work. When I checked out Fran's website, I was immediately transfixed by the wonderful, fanciful images. I am so happy to be sharing her work with you as it certainly expands our thinking on what is possible. I love the imagination and creativity that is evident in each and every piece.

The following text is from Fran...

In all honesty, I don't really consider myself a 'photographer' but rather a maker of images. My background is so varied, and until I went to college, I assumed I'd "do something with art" (I loved drawing, and still do). But it was the 60s, and "doing art" felt too self-serving and anachronistic, and "saving the world" demanded community service. When I did start taking photographs (in the 70s), I was much more interested in the story-telling aspect of it, so I gravitated towards creating sequential and surrealistic images, often expressing my fascination with time and its inexorable march. I got my Masters in Graphic Design when I realized I couldn't support myself making weird photos, and Graphic Design offered the ability to combine fine art with commerce, psychology, and sociology.


While my kids were young, I made collages for and with them, and after my mom died in 1988, I found a treasure-trove of old family photos which made their way into these collages. Then, in 1992, I was introduced to Photoshop. And here we are. It seems as if I've come full circle: drawing (with a stylus), collages, graphics, old photos, weird images, all in the service of halting that inexorable march of time passing.


"The camera was the first machine of depiction, and for a time we believed it to tell only the truth. In the end, perhaps all the images we create share a strange mixture of magic, truth, and illusion. And in this soil sprouts metaphor, which is the source of meaning."      Edward Bateman

In merging photography with painting, portraiture with dreamed landscapes, technologies and generations, my images blur the boundaries between the real and the unreal, re-imagining worlds that, like our own, remain forever a mystery. I invite the viewer to look closely, to engage with me in an imaginative discourse, and to enter into a world of dreams and memory.
The visual narratives of my photo collages dissolve the boundaries of time; they connect my fantasies and dreams with the generations that have come before 
me as I attempt to bring them back to life.

My artistic process is an act of intuition, investigation, and the construction and amalgam of, at first glance, seemingly random objects. These dream-like visions and altered habitats are constructed of photographs I’ve taken with a variety of cameras, as well as discarded portraits of long-forgotten ancestors. Yet these constructed images are intended to evoke a sense of transience, longing, memory, and, despite our yearning for connectedness, the dislocation we all too often experience.


Experimenting with light, form, texture, and color In composing my images, I pay tribute to the collage artists and Pictorialists of the late 19th century, as well as to the magic realists and surrealists who followed. I also draw inspiration from color-field painters such as Rothko and from artists who use vibrant color, visual narratives and symbolism to contemplate the human condition.  I am indebted to, among others, the juxtaposed assemblages of Cornell, the surrealism of Magritte, and the poetry and photography of Duane Michals.






On Collaborations

Thank you for all who have participated in the Creative collaborations. It has been really fun to organize and see creativity at work with the multitude of interpretations. I have decided to include all 3 rounds in this post as a finale.
Enjoy the show!
Original file
Charles Mintz

(look for the hands by the top of the ladder)
Fran Forman
Nelson Armour
The Wall I Saw
Patricia Nolan
Writing on the Wall
*

SECOND COLLABORATION ~ The Red Chair
original file

Fran Forman "The Elephant Not in the Room"




Tyler Hewitt (Tyler shares his creative process on his blog)



Panos Lambrou



Bill O'Donnell ~ Many Rooms

The creative collaboration has morphed into a fundraiser for the upcoming Ragdale benefit . All of the former residents were offered a choice of 3 images to "remix" and those will be available for purchase at the benefit. Some of the images have been posted on the Ragdale Facebook page, where I saw Bill O'Donnell's amazing interpretation of the landscape photograph.


Original file of the view from the Ragdale house overlooking the 
 prairie landscape in Lake Forest, Illinois.

Here is Bill's rendition of the image. He "nailed" the Ragdale experience for me. Many artists have taken their inspiration from the surrounding landscape. I asked Bill if I could feature his intriguing work after I checked out his website.  What follows is his Many Rooms portfolio...

Cube

Divine Number

 In Bill's words...



"These pictures are shot in a rusting tin dollhouse. At once both implausible and convincing enough, the setting is a fitting laboratory for the questions treated. The pictures address three formal concerns of the Western philosophical tradition:

Knowledge, Conduct and Governance"



Dust

Eight-Twenty

"How do we know what we know?

How might one live a virtuous life?

What is the relationship between the individual and society?"



Escape

Labyrinth

Lesson

Library

Sacrifice

Shadow

  "Through the use and reuse of a limited set of props, I’ve focused on the fragile nature of accumulated wisdom, the acquisition of some moral compass and the difficulty of negotiating the threshold between the public and private domains."


Sphere

Stone


Vanity
Threshold

                                      Bill has also been the beneficiary of a Ragdale residency.


 I can't say enough about the organization and how it has contributed to so many artistic endeavors. I am including some information about the upcoming "unveiling" of the Ragdale house, designed as the summer home of Arts and Crafts architect Howard Van Doren Shaw, and one of the most complete examples of a turn-of-the-century retreat.  The party/celebration is going to be a blast.  If you live in the Chicago area and care about the arts, please consider attending what promises to be an amazing evening.


May 5, 2012       

Kick up your heels at this annual fundraising event with ragtime music, roaring 20’s décor, a silent auction and the grand re-opening of the Ragdale House, following a year-long $3 million restoration.  Ragdale House, the summer residence of architect Howard Van Doren Shaw’s artistic family, has been painstakingly restored to its 1926 condition. The evening benefits the Ragdale Foundation, the non-profit artist residency that has provided artists with time and space to pursue their creative work in an uninterrupted environment for over 30 years.  Funds raised at the benefit will support the residencies of writers, visual artists, composers and interdisciplinary artists.  For further information, click HERE.

If you can't make it to the benefit, consider applying for a residency. The deadline for fall residencies is May 15th. Click HERE to learn more about the application process.

The Rebirthing of Detroit

I was at a fabulous neighborhood pizzeria, Union, when the owner, Steve, began talking about Detroit with such passion that it resulted in a weekend visit. The city is a sight to behold. You can feel the former grandeur with its 8 lane boulevards crossing much of the city which was once  the former car capital of the world. The museums, especially the Detroit Institute of Arts was worth the trip alone. The Diego Rivera mural was breathtaking, as were the other collections.



I was so impressed with the energy that is being invested in the city neighborhoods by the residents and found out via Krista Tippett's public radio show, On Being, that they have over 16000 community gardens that have sprouted up all over the city. The podcast on "Becoming Detroit" can be found HERE.



And then there was the Museum of Contemporary Art Detroit which had this light show by Joshua White and Gary Panter. I couldn't resist taking this image which reminded me of a Edward Hopper painting.  





...and then found this card there that connects Detroit and New Orleans!


On what felt like a scavenger hunt to find the Detroit Center for Contemporary Photography, I landed these 2 pictures which made the search worth it. The organization must be in its infancy because it was very difficult to locate online and in real time. Once I found it, the space was locked.


And then there  is the amazing Heidelberg project, a 3 block art installation by Tyree Guyton in its 25th year. I posted on this before and you can read about it HERE.
The rest of the photographs were all taken at the Heidelberg project.









 There is so much more to discover in Detroit. It is a city that is coming out of the ashes.       There is a lot of innovation which will redefine the city. 


"Never doubt that a small group of dedicated citizens can CHANGE THE WORLD. Indeed, it's the only thing that ever has."
---Margaret Mead


Shelley Calton ~ Licensed to Carry, Ladies of Caliber

Shelley Calton is another photographer I met at Fotofest with an inside track into the world of firearms. She has turned the camera on a very sensitive and timely subject. Guns are in the news everyday and the cause of tremendous suffering. I  find these photographs very powerful and incredibly disturbing. 

That is all I want to say... the rest is for you to consider.


In Shelley's words...

"Since the early pioneer days, women have armed themselves.  As a young girl growing up in Texas, I was taught about guns and learned to shoot. My father kept a pistol in his nightstand and rifles for hunting. Today only the predators and laws have changed. There is a growing trend in the number of licensed women handgun carriers. These women are empowered and armed for protection.  They have been tested, fingerprinted, and schooled to use a firearm effectively." 




 "Until recently I have maintained an apprehensive distance from guns except through the lens of my camera. Yet, firearms have interestingly integrated themselves into my work, i.e., Hard Knocks, “Tex Offender’s Pistols” and Nécessaire “Colt 44.” In Licensed to Carry, I decided to explore the private lives of women who arm themselves and join them in becoming a licensed handgun owner. The photographs are set against everyday scenarios, the guns are prominently featured, and contrast their otherwise concealed nature." 
 



"Women who carry guns are unassuming: she may be the mother in line next to you at the grocery store checkout counter, the grandmother walking her dog, or the woman parking next to you at the shopping mall.  This is not an exclusive club and is open to anyone except a convicted felon."








"While owning and/or carrying a gun is not always kept a secret, it is seldom boasted or talked about.  That being said, when you ask a female gun owner to talk about her guns, she will open up, get excited, and proudly tell you about each gun.  What I didn’t expect and what I discovered through photographing these women is that many collect handguns as they would Wedgwood china or high heel shoes."




Chilling. 


Cynthia Greig ~ Nature Morte and Representations

Another Fotofest find! I am so happy to share the work of Cynthia Greig, expanding our notion of what, exactly, is a photograph!



In Cynthia's words...

"To what degree are our beliefs and realities based on appearances and misconceptions? Nature Morte and Representations consider the malleability of identity, and the potential for reconfiguring the physical and imagined boundaries we impose upon the world."





"I’m fascinated by the persuasive power of the photograph, and its unique role in negotiating what we believe to be real or true. I make images that embrace both the limitations and possibilities of photography as a way to challenge our expectations and create a shift in our perceptual experience. Exploiting the camera’s monocular point of view, I examine the deceptive nature of appearances by confusing two distinct methods of representation—photography and drawing—encouraging the viewer to look beyond the surface and the presumed transparency of the photographic image. Drawing directly onto the surfaces of whitewashed objects with charcoal I create and photograph the resulting hybrids of three-dimensional drawings. Whether focusing on the fading familiarity of manmade objects made obsolete through time, technology or taste, or the temporal nature of the organic substance of fruit, the images meditate on the intersection of identity and representation, and the physical and perceptual process of transformation. The accompanying videos further explore time’s capacity to unfold and reveal the illusory nature of appearances."





Nature Morte is opening at dnj gallery this coming Saturday, in Santa Monica. Details follow:
April 21st - June 2, 2012
Artist Reception: Saturday, April 21, 2012 from 6-8pm
*The Artist will be in attendance*
2525 michigan avenue, Suite J1
santa monica, california 90404
310.315.3551