China

With all that is going on in the news today about China... the Olympics and human rights, I thought it would be interesting to
share the work of 2 very impressive Chinese artists.

Wang Wei; 1/30 of a Second Underwater, 1999. The artist stated: "Through a combination of image and sound, this piece creates an ambiguous sense of simultaneously being and not-being."
My thought is that it is not easy being Chinese these days but neither is it easy being an American.




Yao Lu's stunning photographs address China's changing landscape. This body of work is created on the computer. Breathtaking!

On Proust

THE LIGHT INSIDE - 1999 , James Turrell, Museum of Fine Arts Houston

From an essay of Proust in Against Sainte-Beuve....
"The beautiful things we shall write if we have talent are inside us, indistinct, like the memory of a melody which delights us though we are unable to recapture its outline. Those who are obsessed by this blurred memory of truths they have never known are the men who are gifted...Talent is like a sort of memory which will enable them finally to bring this indistinct music closer to them, to hear it clearly, to note it down...."
In V. S. Niapaul's Nobel Lecture, he states that it is luck and much labor more than talent!

Tunnel of Light, France 2008

Checking In

I am sitting in my studio and feel the energy of spring returning as the sun is streaming in.
The seasons are truly marvelous....
Just returned from what felt like extensive travels.
I weathered the winter blizzard in Toronto and participated in The Artist Project that was held in the Liberty Grand.
I exhibited my Visitations, Leaf Studies and Chiapas work.
It is a wonderful city with lots of heart and soul, great food and funky stores.
I met new friends and saw some great art.
Here are links of two of my favorite fellow artists who also participated.
Laura Fatemi
Nava Waxman

Challenges


I've often wondered what it would be like to do something new every day of my life. It seems that if one were to try to live fully, one's intention would be to create new challenges, be it mental, physical or spiritual.
I recently picked up the book A Joseph Campbell Companion, Reflections on the Art of Living (edited by Diane Osbon) and was so struck by the quote, "The privilege of a lifetime is being who you are." It seems to me that the quest of a lifetime is to try to get closer and closer to that core.

We All Need Mending

This essay was shared with me by my friend, Ingrid, after discussing the state of the world.
It was written by Susan Cooke Kittredge, senior minister at the Old Meeting House in East Montpelier Center, Vt. Her father was journalist and broadcaster Alistair Cooke.

"Like most women of her generation, my grandmother, whom I called Nonie, was an excellent seamstress. Born in 1879 in Galveston, Texas, she made most of her own clothes. Widowed at 43 and forced to count every penny, she sewed her three daughters' clothes and some of their children's, as well.

I can knit but I cannot sew new creations from tissue-paper patterns. Whenever I try, I break out in a sweat and tear the paper. It clearly requires more patience, more math, more exactitude than I seem willing or capable of giving.

Recently, though, I have come to relish the moments when I sit down and, somewhat clumsily, repair a torn shirt, hem a skirt, patch a pair of jeans, and I realize that I believe in mending. The solace and comfort I feel when I pick up my needle and thread clearly exceeds the mere rescue of a piece of clothing. It is a time to stop, a time to quit running around trying to make figurative ends meet; it is a chance to sew actual rips together. I can't stop the war in Iraq, I can't reverse global warming, I can't solve the problems of my community or the world, but I can mend things at hand. I can darn a pair of socks.

Accomplishing small tasks, in this case saving something that might otherwise have been thrown away, is satisfying and, perhaps, even inspiring.

Mending something is different from fixing it. Fixing it suggests that evidence of the problem will disappear. I see mending as a preservation of history and a proclamation of hope. When we mend broken relationships, we realize that we're better together than apart, and perhaps even stronger for the rip and the repair.

When Nonie was 78 and living alone in a small apartment in New Jersey, a man smashed the window of her bedroom where she lay sleeping and raped her. It was so horrific, as any rape is, that even in our pretty open, highly verbal family, no one mentioned it. I didn't learn about it for almost five years. What I did notice, though, was that Nonie stopped sewing new clothes. All she did was to mend anything she could get her hands on as though she could somehow soothe the wound, piece back together her broken heart, soul and body by making sure that nothing appeared unraveled or undone as she had been.

Mending doesn't say, "This never happened." It says instead, as I believe the Christian cross does, "Something or someone was surely broken here, but with God's grace it will rise to new life." So too my old pajamas, the fence around the garden, the friendship torn by misunderstanding, a country being ripped apart by economic and social inequity and a global divide of enormous proportions — they all need mending.

I'm starting with the pajamas."

Independently produced for Weekend Edition Sunday by Jay Allison and Dan Gediman with John Gregory and Viki Merrick.

Eleven Minutes of Sunshine


Did you know that there were only 11 minutes of sunshine in Chicago for the first 8 days in February?
We had a slight reprieve yesterday only to return to grey and snow tonight. Thought I would share a photograph
from my new body of work, The Treatment Room. For those of you suffering from SAD (seasonal affect disorder), you might consider getting a light box!

The Next Day


Went back down to the city and was within walking distance of Halloran's Ice sculpture.
After the blizzard, I couldn't resist checking out how the wall of ice responded to the
changing weather conditions....

Color in a Black and White World



I had a really wonderful time yesterday in downtown Chicago viewing "Paintings Below Zero by Gordon Halloran at Millennium Park.
It was such a thrill to see the work up close. I can only imagine the transformations the artwork will go through as the temperatures rise and dip in Chicago.
If you haven't gotten there, please go before the end of the month. It was truly awe inspiring and a great antidote to the black, white and grey world we in inhabiting during the winter months. It is also a great reminder of how wonderful and breathtaking the natural world is.

10:02 pm on Monday, February 4th


How great is it when the weather conditions reflect one's inner state? Doesn't get much easier than that!
The soupy, mild evening is a much enjoyed respite from the winter storm
that is anticipated tomorrow...which by the way, is SUPER FAT TUESDAY.
Don't forget to vote and celebrate Mardi Gras!

Nine Weeks until Spring!

As I was driving in Ohio a few days ago, I saw a sign that said "Nine Weeks until Spring." (I wish I had photographed it but I didn't). In this subzero weather, I found it very, very comforting.

Two years ago I travelled to Ghana in late January. I have never been hotter. Thought I would share a few impressions...
It is amazing what you can learn from a few words on a blackboard in a rural school in Ghana. The words: hungry,roasting yam, burning him, watching, ashamed....make you wonder about the lives of these children.

December 31st


"Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiative and creation, there is one elementary truth the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one's favor all manner of unforeseen incidents, meetings and material assistance which no man could have dreamed would have come his way. Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it. Begin it now."
A Quote by Johann Wolfgang Von Goethe

NYC


Had my first show in Chelsea, New York City at Paula Barr's Gallery.
It was well attended and fun to be part of the Thursday night gallery opening scene.
New York is so beautiful this time of year.


Had an opportunity to visit MOMA. Saw the Marvin Puryear exbibit which was beautiful and striking.




Also visited the New Photography 2007 exhibit showing the work of
Tanyth Berkeley, Scott McFarland and Berni Searle. I found Berni Searle's (South African) work to be original and haunting. She takes family photographs and transfers the silhouette onto crepe paper.



The crepe paper image is then immersed in water and starts to "bleed." The series is called "About to Forget" and is about the memory of her family.


And then there is the subway...so crowded (as were the streets) but lively.

On a final note, I picked up Nobel Lectures from a fabulous book store. I was drawn to the book because I really liked Wislawa Symborska's (have it on my website) lecture.
On the back of the book there is a quote from Orhan Pamuk.

"For me, to be a writer is to acknowledge the secret wounds that we carry inside us, the wounds so secret that we ourselves are barely aware of them, and to patiently explore them, know them, illuminate them, to own these pains and wounds, and to make them a conscious part of our spirits and our writing." The full text is available on the internet.

Crossroads

How does one reconcile the perfect beauty of a new life with all its purity, innocence and joy with what one reads in the daily newspapers? When an artist thinks about creating a work, do you consider making something beautiful or socially significant, so as to help make the world a better place? (I suppose one can also make socially significant beautiful art but that is another discussion).
So I returned a month or so ago from visiting a new grandchild. What, you might ask, does this have to do with the creative process? Well, it raised a very tough question in my mind which I had difficulty resolving.
Being in the presence of a newborn baby is an awe-inspiring experience. There is something so magnificent and flawless about this little person. It is life in its purist, most uncontaminated form. It is how we all entered this world and is universal to mankind.

And then there is this other world one confronts when reading the news, stories on every conceivable evil that man is capable of… the fundamentalists who feel justified in killing women who do not conform to what they believe is the correct dress, famine, the debates about abortion, the repression of Burmese citizens by one of the most cruel dictatorships in the world today. How does one reconcile these extremes?
This was a question I posed while at a residency at Ragdale. One of the residents, Patty Patterson, (a wonderful writer) left this for me in my mailbox the next day…
“In a time lacking in truth and certainty and filled with anguish and despair, no woman should be shamefaced in attempting to give back to the world, through her work, a portion of its lost heart.” Louise Bogan

The following day I found this in my mailbox…
"….what you are in love with, what seizes your imagination, will affect everything. It will decide what will get you out of bed in the morning, what you do with your evenings, how you will spend your weekends, what you read, whom you know, what breaks your heart, and what amazes you with joy and gratitude. Fall in love, stay in love, and it will decide everything.” Don Pedro Arrupe

Happy Thanksgiving!

Ragdale ~ An Appointment with the Muse.

I have just returned from the most amazing 2 weeks at Ragdale in Lake Forest, an artist’s retreat. Never having participated in an artist residency, I did not know what to expect. This blog is an attempt to share some small part of the experience. (I say this because 3/4 of the artists I befriended at the residency were writers and poets, and I don’t pretend to be one.)


When I drove into the estate, I was overwhelmed with a sense of gratitude and awe. It was a beautiful fall day with the trees showing off their full glory. The environment had the feel of a monastery, with signs scattered about saying “Quiet Please, Artists At Work.” There was no person to be found but an envelope in a basket by the front door with my name on it. I quickly learned that my bedroom and studio were located in the converted barn. My studio had been the work place of Howard Van Doren Shaw, the prominent Chicago architect and owner of the Ragdale house. The Shaw properties overlook 60 acres of prairie.


I walked into my studio, a beautiful room with 3 skylights, a desk, table, cabinets and a sink. The walls revealed evidence of other artists being there by the walls pockmarked condition. On the far wall was a single leaf, spotted and folded in on itself. It was truly beautiful. I thought it was curious that the former tenant had left it behind.

After unpacking and before the sunset, I went out into the prairie. It was magnificent. The grasses swayed in the wind as I strolled by so many plants native to the Midwest. A sense of peace and calm pervaded.


It was an amazing 2 weeks. After the initial adjustment, I found myself in a continual state of creative flow. Never before have I had the luxury of 2 uninterrupted weeks to explore my art. What started as a curiosity about my environment became an obsession. I fell into a state of continual excitement as I investigated the world around me. I began my Leaf Studies series, which have been endlessly fascinating. Every time I looked deeper into the essence of a leaf, I am reminded of repetition of form between the macro and micro worlds. What resulted was a body of work that further explores my interest in life cycles and the quality of light.


The creative process needs time and space to develop. It feeds the soul in a way that nothing else can. I am so grateful to Ragdale for the two weeks in which I reconnected with the magical feeling that anything is possible.